Though he is an accomplished musician (having played with Olenka & the Autumn Lovers and Timber Timbre) the real strength of Clarke's songs is in his skill as a lyricist. He tends to eschew the overly flowery poetics in favour of telling stories that are firmly grounded in the Toronto cityscape. That helps to make his songs far easier to relate to and consume than almost anyone else in his genre.
Precious few songwriters would be able to name drop The Zombies, The Cars, The Clash, and The Kinks into a folk refrain as Clarke manages to do on "Forest City". Toronto-specific reference abound, including in the title of the instrumental "Bellwoods Park".
In terms of the arrangements, Clarke adds interesting elements by ensuring that there are enough pieces beyond a simple acoustic guitar. Horns and prevalent on songs like "I Blame the Loyalist Ghost" (which also features the warm sound of fingers scraping guitar strings). We even get an accordion providing a polka oompah on "Tranzac Club".
Clarke makes folk music as urgent-sounding as it has ever been in the Josh Ritter-like "In Conversation". With "Some Nerve" he offers up a full-on old country ballad. That accordion makes another appearance for the waltzing closer "Love, Death and Other Ailments".
With William, Shawn Clarke avoids the sophomore slump and, even more importantly, already has us begging for more.
Best tracks: "In Conversation", "Tranzac Club"
Track listing for William:
- Ten Years Ago
- Forest City
- In Conversation
- I Blame the Loyalist Ghost
- Ballad of a Boorish Man
- Bellwoods Park
- Tranzac Club
- Some Nerve
- Sound of Ticking and Tocking
- Love, Death and Other Ailments