One of my most anticipated concerts of the year pulled into The Phoenix in Toronto last night as modern troubadour Josh Ritter finally arrive in town to promote his latest rock solid album
So Runs The World Away.
The set started off slower and darker than I've heard from Ritter in the past, likely because of the nature of the new batch of songs. It didn't take long, though, for him to transform that slow start into a thoroughly fascinating.
For the most part the new material stacked up well against the old. Numbers like "Lantern", "The Curse", and "Folk Bloodbath" were greeted just as warmly as faithful companions "Right Moves", "Harrisburg", and the stomper "To the Dogs Or Whoever".
If Ritter was a pure folk artist it would be easy to grow tiresome of his music. Thankfully, he's far from a mere folk artist. Combining the blue collar ethic of Springsteen with literary references and Waitsian pain (not to mention a dash of MacGowan-esque fun), songs like "Kathleen" and "Southern Pacifica" (which garnered a Barbara Budd shout out), conveyed a depth and complexity of soul seldom found in young artists today.
Ritter's knack for melody coupled with clever lyrics that sneak up and bite you when you least expect them, kept the audience riveted, even through his intimate solo section of the show.
After a near-two hour set it was reaffirmed that Josh Ritter is a unique talent, one capable of touching the listener on many levels. It boggles the mind that this guy hasn't received more widespread attention.
Recent Polaris Prize nominee Basia Bulat opened the show. Her set had an inauspicious start, with vocals that could be best described as screechy. As her set progressed (and she got louder), both performer and artist got more comfortable, culminating in a raucous rendition of "In The Night". In the end Bulat's charm served her well.
8.5/10
Josh Ritter's website
Basia Bulat's website