Indianapolis isn't exactly the first place that pops into your head when you think indie art rock. We Are Hex and their sophomore album
Hail the Goer seem determined to change that.
The new album, out August 3rd, melds sombre angular post-punk with elements of early shoegazer to create an impenetrable wall of morose rock.
The album opener, "Birthplace of the Mystics", casts a dark shadow while still featuring a repetitive metallic squeal. The result is reminiscent of
The Argument-era Fugazi. "We Are the Goer" cuts a frenetic path. A ghostly guitar soars and crashes on "Don't Let Dirt In Here", while "Teeth Collection" climbs to an irresistible heights.
The weakest aspect of the songs is undoubtedly the vocals. Often residing too far below the din to be distinctly heard, they don't serve to enhance the impact of the tracks. When they are prominent, they tend to be high-pitched yelps, a la Jaguar Love, a combination that does not work well with the overall mood.
Even though the individual components of We Are Hex's music have been around for decades now, the band manages to take them, reshape them, and reassemble them in way that makes it all sound fresh.
Hail the Goer is one of those albums you'll reach for when you need to set a specific mood in a hurry.
Best tracks: "
Track listing for Hail the Goer:
- Birthplace of the Mystics
- We Are the Goer
- Gold Silver
- Singer Tastemaker
- Teeth Collection
- Don't Let Dirt In Here
- Warphone
- Cutter Giver
7.5/10
We Are Hex's website
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